David Hewson's The Killing 3 is the novelization of the third series of the hit Danish crime drama, The Killing. Detective Inspector for homicide, Sarah Lund, is contacted by old flame Mathias Borch from National Intelligence. Borch fears that what first appeared to be a random killing at the docks is the beginning of an assassination attempt on Prime Minister Troels Hartmann. The murder draws attention towards the shipping and oil giant, Zeeland, run by billionaire Robert Zeuthen. When Zeuthen's 9-year-old daughter, Emilie, is kidnapped the investigation takes on a different dimension as it soon becomes clear that her disappearance is linked to the murder of a young girl in Jutland some years earlier. Hartmann is in the middle of an election campaign, made all the more turbulent because of the mounting financial crisis. He needs Zeeland's backing. Lund needs to make sense of the clues left by Emilie's perpetrator before it's too late. And can she finally face the demons that have long haunted her?
Detective Inspector for homicide, Sarah Lund, is contacted by old flame Mathias Borch from National Intelligence. Borch fears that what first appeared to be a random killing at the docks is the beginning of an assassination attempt on Prime Minister Troels Hartmann. The murder draws attention towards the shipping and oil giant, Zeeland, run by billionaire Robert Zeuthen. When Zeuthen's 9-year-old daughter, Emilie, is kidnapped the investigation takes on a different dimension as it soon becomes clear that her disappearance is linked to the murder of a young girl in Jutland some years earlier. Hartmann is in the middle of an election campaign, made all the more turbulent because of the mounting financial crisis. He needs Zeeland's backing. Lund needs to make sense of the clues left by Emilie's perpetrator before it's too late. And can she finally face the demons that have long haunted her?
The story of the twenty-five year effort to bring to justice the architects of the Cambodian genocide, this study explains why those who orchestrated the murder of 2.2 million people continue to escape responsibility.
An incisive exploration of why acts of mass annihilation take place and how people become mass killers By historical standards, the early years of the twenty-first century have been remarkably peaceful. Only rarely are people killed by their own kind, and only very, very rarely are they killed by other animals, microorganisms excepted. Nevertheless, even though the statistics should reassure, many people worry about lone killers, murderous gangs, and terrorist bands. At the same time, most people are vaguely aware that even in this relatively calm era, wars have made countless victims. Yet mass violence against unarmed civilians has claimed three to four times as many lives in the past century as war: one hundred million at least, and possibly many more. These large-scale killings have required the efforts of hundreds of thousands of perpetrators. Such men (and almost all were males) were ready to kill, indiscriminately, for many hours a day, for days and weeks at a stretch, and sometimes for months or even years. Unlike common criminals who work outside the mainstream of society, in secret, on their own or with a few accomplices, mass murderers almost always worked in large teams, with full knowledge of the authorities and on their orders. Without exception, they operated within a supportive social context, most often firmly embedded in the institutions of the ruling regime. Unlike terrorists, the mass murderers usually did not want their deeds to be widely known. How people are enrolled in the service of evil is a question that lies at the heart of this trenchant book. The subject here is mass annihilation--that is, massive, asymmetric violence at close range, where killers and victims are in direct confrontation. Abram de Swaan offers a taxonomy of mass violence that focuses on the rank-and-file perpetrators, examining how murderous regimes recruit them and create what De Swaan calls the "killing compartments" that make possible the worst abominations without apparent moral misgiving, without a sense of personal responsibility, and, above all, without pity. De Swaan wonders where extreme violence comes from and where it goes--seemingly without a trace--when the wild and barbaric gore is over. And what about the perpetrators themselves? Are they merely and only the product of external circumstance? Or is there something in their makeup that helps them become mass murderers? Drawing on a wide range of disciplines, including sociology, anthropology, political science, history, and psychology, De Swaan sheds light on an urgent and seemingly intractable pathology that continues to poison peoples all over the world.
We hold many assumptions about police work—that it is the responsibility of the state, or that police officers are given the right to kill in the name of public safety or self-defense. But in The Killing Consensus, Graham Denyer Willis shows how in São Paulo, Brazil, killing and the arbitration of “normal” killing in the name of social order are actually conducted by two groups—the police and organized crime—both operating according to parallel logics of murder. Based on three years of ethnographic fieldwork, Willis's book traces how homicide detectives categorize two types of killing: the first resulting from “resistance” to police arrest (which is often broadly defined) and the second at the hands of a crime "family' known as the Primeiro Comando da Capital (PCC). Death at the hands of police happens regularly, while the PCC’s centralized control and strict moral code among criminals has also routinized killing, ironically making the city feel safer for most residents. In a fractured urban security environment, where killing mirrors patterns of inequitable urbanization and historical exclusion along class, gender, and racial lines, Denyer Willis's research finds that the city’s cyclical periods of peace and violence can best be understood through an unspoken but mutually observed consensus on the right to kill. This consensus hinges on common notions and street-level practices of who can die, where, how, and by whom, revealing an empirically distinct configuration of authority that Denyer Willis calls sovereignty by consensus.
Charlie Parker returns with a thrilling case - perfect for fans of Michael Connelly and Jeffery Deaver. Did Grace Peltier commit suicide? When a mass grave in northern Maine reveals the final resting place of a religious community that disappeared almost forty years earlier, private detective Charlie Parker, hired to investigate the circumstances of her death, realises that their deaths and the violent passing of Grace Peltier are part of the same mystery, one that has its roots in her family history and in the origins of the shadowy organisation known as the Fellowship. Aided by the genial killers Angel and Louis, Parker must descend into the depths of a honeycomb world populated by dark angels and lost souls, a world where the ghosts of the dead wait for justice and the unwary are prey for the worst kind of creatures. The killing kind. . .
The Greatest Western Writer Of The 21st Century A family of Scottish warriors. A stranger in a new land. . .. From the bestselling authors William W. Johnstone and J.A. Johnstone, the blazing saga of Duff MacCallister, heir to a legacy of courage. A Killing Too Far Duff MacCallister fled the Scottish Highlands for a new world in Wyoming Territory. Betrothed to a good woman, Duff has the bad luck to be standing in the Chugwater Bank when a violent robbery explodes around him. With one man dead by Duff's gun, and another under arrest, a team of bandits swarms outside of town. As witnesses, Duff, a banker, and a beautiful barmaid are whisked into the town's hotel for safe-keeping as the outlaws threaten the defenseless town with a bloodbath if their fellow bandit isn't set free. Except no MacCallister has ever run from trouble. With a scoped Creedmoor rifle he goes after the Taylor gang, one bad guy at a time. . ..But Duff doesn't know that fate--and a little twist of frontier justice--will give the Taylor Gang one last chance for a shocking, treacherous act of revenge. . . First Time In Print!
THE THIRD CRITICALLY ACCLAIMED CHINA THRILLER, FROM THE MILLION-SELLING AUTHOR OF THE RICHARD AND JUDY BESTSELLER THE BLACKHOUSE. THE NEW CASE When a mass grave containing eighteen mutilated female corpses is discovered in Shanghai, detective Li Yan is sent from Beijing to establish if the bodies are linked to an unsolved murder in the capital. Here, Li will be working with Mei Ling, deputy head of Shanghai's serious crime squad. THE NEW COLLEAGUE Mei Ling is a formidable woman: a fact that is not lost on Li's on-off lover, forensic pathologist Margaret Campbell. But when Campbell, vulnerable and still grieving the loss of her father, learns that the victims were subjected to 'live' autopsies, she knows the case is bigger than her pride. THE KILLING ROOM Li, Campbell and Mei Ling are now entering the arena of a sickening nemesis, and opening a door behind which lies each of their very worst nightmares.